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Opera Explained

Introducing the Peachums – best keep an eye on your handbags folks

Welcome to London’s underworld in the 18th century. To quote Star Wars’ Obi Wan Kenobi on the subject of Mos Eisley spaceport. “You will never find a more wretched hive of scum and villainy. We must be cautious.” The world...
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A reworking of John Gay’s The Beggar’s Opera – thoughts from the Artistic Director

With less than a month to go until the world premiere of our new SmallStages tour, Mrs Peachum’s Guide to Love and Marriage, we caught up with Artistic Director Richard Studer, who created the production and shared his thoughts about...
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The Gin-fuelled Mrs Peachum

John Gay’s ballade opera The Beggar’s Opera was first performed at the Lincoln’s Inn Fields Theatre in London in 1728 and ran for around 60 performances. The ‘ballade opera’ was a highly popular genre – a satirical musical play with...
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The First Tosca

Tosca is an opera of many victims, some fictional, some real - where an operatic ménage à trois is extrapolated into an orgy of bloodshed, torture and death. One of the most unusual tragedies associated with this opera came not...
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Lost in Translation

With rehearsals due to start at the end of the month, we asked MWO’s Artistic Director Richard Studer to give us an insight into preparing a new translation for Mid Wales Opera's new SmallStages production of Ravel's opera comedy L'heure...
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L’heure espagnole – some thoughts from MWO’s Music Director

As we prepare for Autumn’s SmallStages tour of A Spanish Hour, Ravel’s L’heure espagnole, we’ve asked MWO’s Music Director Jonathan Lyness to share some of his insights into the piece and its history. Each of our SmallStages productions uses a...
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Ignite the Passion

As we sharpen our pencils and polish our shoes ready to get back to work for the Autumn term, MWO’s Executive Director Lydia Bassett is delighted to unveil our 2018/19 “Ignite the Passion” season – designed to build a passion...
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The Synopsis of Tchaikovsky’s Eugene Onegin

We’re loving our tour of Eugene Onegin, it’s an opera very dear to our Directors’ hearts and the reaction from audiences has been wonderful – but we know it’s not the most familiar opera so we wanted to share the...
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The Director’s Chair: Richard Studer on Eugene Onegin (part 2)

In the second part of our discussion with MWO creative Director Richard Studer he outlines his take on the character of Onegin and how he is approaching this MWO production of Tchaikovsky’s Eugene Onegin, which is on tour from February...
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